Korea's Largest Hyperrealstic Public Art Exhibtion 'Hyperrealsim: Nothing is Static'

World Renowned, Hyperrealist Sculptor Carole A. Feuerman’s First Show in South Korea

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Carole A. Feuerman has been invited to take part in a major Hyperrealism Group Exhibition at the Daejeon Musuem of Art in Daejeon City, South Korea. The exhibition is entitled Hyperrealism: Nothing is Static and will be running from September 4th through December 20th 2015.

As a veteran hyperrealist, Feuerman is keen to participate in such an exciting milestone for her artistic genre with over 80 works going on display from 16 different artists from eight different countries.

The Golden Mean, 2012. Bronze and 24K Gold Leaf. 150 x 54 x 38 inches. 

The Daejeon Museum’s mission with this exhibition is to celebrate and explore the history of Hyperrealism as well as consider its future evolution. This group museum exhibition is scheduled to travel onto Seoul next, followed by Taiwan, then Singapore, and Japan.

Kendall Island, 2014. Oil on Resin. 70 x 21 x 38 inches.

Through her work, Feuerman seeks to synthesize simulated hyper reality with a masterful illusionary effect that stimulates and elevates everyday reality.

Her sculptures are hailed for their meticulous manipulations of the human form, which translate into tangible presentations of complex, emotive figures that depict individually crystalized narratives.

Monumental Quan, 2012. Oil on Bronze with Stainless Steel. 67 x 60 x 43 inches. 

Feuerman is a virtuoso sculptor capable of reflecting a vast range of human emotions in her work. From wrinkles to veins, the technical prowess honed over a forty-year career is evident in every one of her Swimmers.

Olympus, 2013. Oil on Resin. 10 x 168 x 66 inches.

She confronts viewers with her hyper real figures and challenges them to achieve a fuller actualization of their senses.

Her sculptures are constantly bringing us into deeper dialogue with ourselves about how we define our own reality and whether we are willing to renew that definition.

Are we willing to expand our perceptual horizons as well as defy any or all temporal limitations in order to see infinity in the details of life?

Feuerman exceeds reality and she invites any one bold enough to join her.

Monumental Brooke with Beach Ball, 2011. Oil on Resin. 45 x 60 x 43 inches.

Capri, 2013. Oil on Resin. 30 x 20 x 11 inches.

Balance, 2010. Oil on Resin. 36 x 32 x 18 inches.

Carole A. Feuerman Solo Show: 'New Works' at KM Fine Arts Chicago

Miniature Serena, 2015, Oil on resin with red Swarovski Crystal cap, 10 x 17 x 8 inches.

Carole A. Feuerman | New Works

July 31 – September 15, 2015

Artist Cocktail Reception: July 31, 5-8pm

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Chicago, IL (May 19, 2015) - KM Fine Arts is pleased to announce Carole A. Feuerman | New Works, a solo exhibition of new sculptures by the artist, on view from July 31, – September 15, 2015 at the gallery’s Chicago location at 43 East Oak Street, Chicago, IL 60611. The exhibition will feature a selection of both life-size and small-scale works by the artist. An opening reception will be held on Saturday, July 31, from 6-9pm with the artist in attendance.

Carole Feuerman (b.1945) has received critical acclaim for her hyperrealist sculptures of swimmers and bathers for over forty years. A number of her most iconic images, including Balance, Serena and Miniature Quan will be featured in the exhibition alongside life-size works, Christina and Next Summer. Executed in painted resin with tactile flesh and meticulous detail, Feuerman’s sculptures have a presence that is both contemporary and classical. While it is not uncommon for hyperrealist work to seem cold and unapproachable, Feuerman’s bathers, balanced and calm, are unexpectedly intimate and inviting.

Genuine mink fur is used for the replication of eyelashes and hair, and the details of the tanned skin, fingernails, and bathing suit ripples are painstakingly painted on. These details combined with the perfectly formed water droplets made of clear resin create astonishingly life-like sculptures. A number of swimmers are even dressed with swim caps that are bejeweled with red and crystalline Swarovski Crystals. The artist states that she, “sculpt[s] the human figure so lifelike, the pieces seem to breathe...This can take up to 100 different coats of paint, and glazing and sanding in between coats, to get the finish and luminosity needed. From start to finish, the process of creating a sculpture can take from 6 months to several years.”

Next Summer, 2012, Oil on Resin, 39 x 54 x 50 inches.

In addition to her resin and oil sculptures, Feuerman is also works actively with bronze. Two of her bronze works, Miniature Tree and Miniature Diver will be featured in the exhibition. The body of the diver is arched into a sensuous C-shape and speaks to her understanding of the golden mean: an ancient mathematical equation epitomizing balance and proportion. The bather featured in Miniature Tree is posed with an S-curve, or contrapposto, typical of classic Greek and later Renaissance sculpture. 

Feuerman lives and works in New York. She has had six museum retrospectives and her work has been exhibited at the Metropolitan Museum of Art, the 2008 Olympic Fine Arts Exhibition, the Venice Biennale, The State Hermitage, and The Palazzo Strozzi Foundation, to name a few. Among her many honors are 1st-Prize-Best in Show at the Beijing Biennale, the Amelia Peabody Sculpture Award, the Betty Parsons Sculpture Award, and the Medici Award. Her work is in the selected collections of His Majesty the Emperor of Japan, President Bill Clinton and Secretary of State Hillary Clinton, Henry Kissinger, Mikhail Gorbachev, the Forbes Magazine Collection, the Caldic Collection, and Credit Suisse Collection. Selected public collections include Grounds for Sculpture, the El Paso Museum of Art, the Boca Raton Museum of Art, the Bass Museum and Art-st-Urban.

Miniature Diver, 2014, Bronze with 24 karat gold leaf, 24 x 8 x 6 inches.

About Carole A. Feuerman

Carole A. Feuerman is recognized as one of the world’s most renowned hyperrealist sculptors. Her prolific career spans four decades in which she has pioneered new approaches to sculpture. Working in both monumental and life size, she is the only figurative artist to hyperrealistically paint bronze for use in outdoor public art, and the only sculptor to install these sculptures in the water.

While attending the School of Visual Arts in New York, she painted 13 album covers used by Time Warner Records including, but not limited to, The Rolling Stones World Tour Book, Alice Cooper, and Aretha Franklin. She has been honored with six major museum retrospectives to date.  Her work has been showcased in numerous exhibitions including the Venice Biennale, the State Hermitage, the Palazzo Strozzi Foundation, the Kunstmuseum Ahlen, the Archeological Museum di Fiesole, and the Circulo de Bellas Artes.  She won first prize at the Austrian Biennale, the Florence Biennale, the 2008 Olympic Fine Art Exhibition, best in show at the Beijing Biennale, and won the Save The Arts Foundation Award as Museum Choice.

Miniature Balance, 2015. Oil on resin with Swarovski Crystals. 18 x 16 x 9 inches.

In 2000, she was elected to be a member of the International Woman’s Forum, where preeminent leaders of diverse professional achievement from finance to fine arts come together to make a difference and to take an active, leadership role in matters of importance. In 2013 her sculpture, The General’s Daughter was featured in the Outwin Boochever Portrait Competition at the Smithsonian's National Portrait Gallery.

There are four full-color monographs written about her work: Carole Feuerman Sculpture, both editions published by Hudson Hills Press, La Scultura in Contra la Realta, which is available in multiple languages, and Swimmers, published by The Artist Book Foundation. 

KM Fine Arts | Chicago

43 East Oak Street

Chicago, IL, 60611

Gallery Hours | Tuesday - Saturday, 11am - 6pm

t: 312.255.1202

e: info@kmfinearts.com

Venice Biennale 2015: Feuerman's Swimmers sponsored by Global Arts Foundation on view through November

Leda and the Swan, 2014. Oil on Resin with 24K Gold Leaf Swarovski Crystal. 42 x 80 x 90 inches.

The City of Venice can breathe a sigh of relief. The whirlwind opening ceremonies of the 2015 Venice Biennale have past. Venice has survived the tidal wave of art freaks, geeks, sleeks, and elites.

However, while the Biennale’s most trafficked period is over, its exhibitions will run through November and there is plenty of art yet to explore for visitors.

DurgaMa, 2014. Painted Bronze. 101 x 90 x 91 inches.

Carole Feuerman’s monumental works DurgaMa and Leda and the Swan are on view in front of Palazzo Mora and were sponsored by the Global Arts Foundation. The response to her work this summer was a blend of romanticized ecstasy and serious-minded zeal.

People’s overwhelming infatuation with Leda and the Swan resulted in a spontaneous romance between the crowd and the sculpture.

Photo courtesy of Instagram user: Serenaaquaro.

In a highly politicized and darker themed Biennale, Feuerman’s sculptures inspired genuine and fruitful emotions. Both pieces projected serenity and strove to perpetuate an elevated, nourishing atmosphere.

The vanished fanfare of gala parties and PR forced feedings allows time to reflect and digest.

Photo courtesy of Instagram user: bettio.

 This year’s curator, Okwui Enwezor, proclaimed that it was “the right of every artist to strike such a stance of radical refusal,” to “the noise, pollution, dust, and decay” of the world. Feuerman’s work and the response it received, speaks to her successful emphasis on humanity’s finer points.

“Through my sculptures, I explore classicism and beauty, which are subjects that have been taboo in contemporary art. There is a conditioned, yet inaccurate, belief that "good" radical art has to reject something that is attractive and pleasing to the eye.” 

Feuerman's Hong Kong Solo Show Extended Through July 7th

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The immense public and media response to Carole A. Feuerman’s Solo Exhibition at Harbour City, Hong Kong has resulted in the show being extended until July 7th. Harbour City Art's mission to be a beacon of prestigious public art has been hugely advanced by Feuerman’s flourishing exhibition.

The thriving fine art scene in Hong Kong has been awakened to the unique, creative niche of Feuerman’s luminous hyper-realism. In her first solo exhibition in Asia’s premier city, Feuerman has successfully left her distinctive artistic signature and she will continue to do so throughout the international art world with upcoming shows in Korea, Singapore, and Taiwan.

美国超写实雕塑大师Carole A. Feuerman亚太区首展

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Carole A. Feuerman's Hong Kong Hyper-Real Pool Party Lives Up to the Hype

Kendall Island, 2014. 70 x 21 x 38 inches.

Even the Hong Kong Skyline and Victoria Harbor couldn’t distract the crowd’s attention from Feuerman’s Harbour City Swimmers exhibition. The show is a surreal spectacle of hyper-real sculptures and models dressed as Feuerman’s sculptures integrated together throughout the exhibit.

People’s heads were spinning as models would come to life and move, while others waited for Feuerman’s sculptures to do the same.

Monumental Quan, 2012. Oil on Bronze with Stainless Steel. 67 x 60 x 43 inches.

Feuerman’s reputation as a master illusionist was immediately apparent and the crowd was entranced by the specially commissioned swimming pool home for Kendall Island, Olympus, Next Summer, The Golden Mean, Monumental Brooke with Beach Ball, and Monumental Quan.

Neon lights and camera flashes illuminated the flawless swimmers and set social media ablaze as Feuerman enthusiasts posted pics of the show that spread like wildfire.

It’s the sculptor’s first solo show in Hong Kong and the response has been monumental. Viewers were wonderfully delirious and delighted by Feuerman’s swimmers.

It’s often said that people fall in love with Feuerman’s sculptures because of their exuberant celebration of life in its finest details and the people of Hong Kong certainly seem to be reveling in this celebration.

The Golden Mean, 2012. Bronze and 24K Gold Leaf. 150 x 54 x 38 inches.

Next Summer, 2012. Oil on Bronze with Stainless Steel. 39 x 54 x 50 inches.

There is nothing casual about Feuerman’s hyper-realism and perhaps that is its most potent trait. Feuerman’s swimmers transcend ordinary reality because of their timeless nature. Her artistic technique for hyper-realism succeeds in capturing emotion in motion.

Olympus, 2013. Oil on Resin. 10 x 168 x 66 inches.

The swimmers beckon for viewers to see reality afresh; after discovering the details of a Feuerman, people’s eyes cannot help, but be more aware of the world around them. The quiet gift given to people at the exhibition from every sculpture is the will and desire to truly see the magic of life’s finer points.

Anyone lucky enough to see the show will walk away with a new found hyper perspective, which will beautify their life and allow them to see new grandeurs residing all around them. They’ll realize that they were looking, just not hard enough.

Harbour City, Hong Kong.

Feuerman's Hong Kong Swimmers Show Opens in Two Days!

Artist Rendering

Just two days remain before the premier of Carole A. Feuerman’s first solo show in Hong Kong at Harbour City. There is a wonderful feeling of anticipation in the air as people ready themselves to experience Feuerman’s hyper-realism.

The show, organized by Art in the City at Harbour City, opens on June 18th and runs through July 5th.  The sculptures will be on view daily from 10am till 10pm.

The Golden Mean, 2012. Bronze and Gold Leaf. 150 x 54 x 38 inches.

This exhibition is an invitation for viewers to connect with the sculptures and allow the line between reality and art to be blurred.

Feuerman’s pieces freeze time and capture the finer points of reality and accentuate details that people are often too busy to admire or acknowledge.

The custom built pool and its swimmers defy everyday distractions and invite people to pause and seek reality in art, and through art be returned into an even more monumental reality.

Artist Rendering.

Victoria Harbour is breathtaking and Harbour City’s commitment to public art exhibitions and celebrating culture is admirable. It’s an incredible location and the perfect arena for the public to interact with Feuerman’s sculptures.

Please Join us for this Hyper-real Harbour Event!

Carole A. Feuerman Joins A-Lister 'Swanning' Trend

Leda and the Swan, 2014. Oil on Resin with 24K Gold Leaf and Swarovski Crystal. 42 x 80 x 90 inches.

Feuerman and the likes of Taylor Swift and the Kardashians have Swan Fever. The hyper-realistic sculptor joins A-listers in celebrating a giant 7 foot long inflatable white swan.

Sales of the swan have skyrocketed and over 40,000 were sold this year alone. It has become the obligatory summer photo prop for Swift, Calvin Harris and a myriad of other limelighters.

Taylor Swift and Calvin Harris. Courtesy of Taylor Swift's Instagram.

Long before the inflatable Swan started making the rounds on the celebrity Instagram circuit - Feuerman took ‘Swanning’ to a whole new level and handcrafted and sculpted the Swan for her piece: Leda and the Swan in 2014.

Palazzo Mora, 2015.

The sculpture was featured in this year’s premier art event: The Venice Biennale. Feuerman’s show Personal Structures at Palazzo Mora was a huge success and crowds gathered to gape at the Swan. The sign that read “Do Not Touch” on the sculpture was interpreted as “Please poke, kiss, and sit on me” because people couldn’t get enough of the huge white bird.

Feuerman loves that Swanning has crossed the Atlantic!

Aria Gallery: Feurman Shapes Reality

Viewing Feuerman’s exhibit Shapes of Reality at Aria Gallery in Florence is how summer evenings are meant to be spent.

In a city so rich in culture, art addiction is rampant, and Feuerman’s Swimmers satisfy even the most ravenous appetite for beauty.

Next Summer, 2012. Oil on Bronze. 39 x 54 x 50 inches.

One distinct mark of a ‘Feuerman’ is the sculptor’s unique practice of sculpting and painting all clothing and accessories. Where others simply use actual clothing, Feuerman prefers hand crafted perfection to mere product. Reality after all, is in the details.

Next Summer, 2012.

Capri, 2013. Oil on Resin. 30 x 20 x 11 inches.

Monumental Brooke with Beach Ball, 2010. Oil on Resin. 60 x 43 x 45 inches.

Paradise, 1997. Oil on Resin. 26 x 16 x 19 inches.

Balance, 2010. Oil on Resin. 36 x 32 x 18 inches.

The sculptor’s life-size Diver is on view in the garden at Aria. Diver seeks to capture the physicality of the diver as his body arches and bends backwards. This diving shape represents perseverance and balance as well as the struggle to achieve.

Diver, 2011. Painted Bronze. 77 x 25 x 11 inches.

Feuerman sought to accentuate this elegant shape to highlight the beautiful struggle of body/muscle that ensues when a diver pushes themselves past the limits of the ordinary.

As an artist, Feuerman recognizes in the symbol of the diver a kindred artistic spirit. The Diver is perched on the edge, readying himself for more than just a dive; he is about to create and define his own reality. Feuerman pursues this same bold path with her sculptures.