Feuerman and Her Swimmers are the Ultimate Globetrotters - Hong Kong! South Korea! Germany! Italy! Florida! New York! Louisiana! California!

Monumental Quan, 2015, on display at Harbour City, Hong Kong

Feuerman’s very busy calendar for 2016 and 2017 follows on the coattails of very successful 2015 season, where Feuerman’s painted bronzes filled the landmark National Hotel in South Beach during Art Basel Week. Described in The Observer’s “Winners and, um, Not Winners, of Art Basel Miami Beach 2015”, Feuerman’s Solo Exhibition, featuring the iconic Survival of Serena and The Golden Mean, was touted as being on the Bucket List of shows not to miss during the week. Rubbing elbows with celebrities, reporters, collectors, and gallerists, Feuerman’s work could also be seen at the art behemoth that is Art Miami, providing a hyperreal focal point amongst much of the conceptual work featured. If you happen to be in Palm Beach Florida, a must stop would be Gallery Biba on Worth Avenue.

Next Summer, 2012

Next Summer, 2012

Christina, 2015

The Golden Mean, 2012

Balance, 2012

Survival of Serena, 2015

After Feuerman’s showings at the star studded Art Basel and Art Miami Fairs, and after the crowds and tourists that had flocked to Miami left the “Magic City”, Feuerman’s work made the move to her next solo show at Markowicz Fine Art, in the Miami Design District.  The opening was fun filled with a Meet and Greet with Feuerman signing books and a special edition print as she celebrated at the opening. The show will be up through the end of the month. Debuting were her newest works, The Dancer and Dancing Hoop, along with her newest painted bronzes.

Feuerman at her January 23rd Solo Show Opening at Markowicz Fine Art, Miami

Gallery Owner Bernard Markowicz & son with Carole A. Feuerman at her Solo Show Opening at Markowicz Fine Art, Miami

Survival of Serena, 2015

Grande Catalina, 2007

Next Summer, 2015

Never one to slow down, Feuerman has forged ahead, with multiple shows for 2016 and 2017.  Her sculpture Christina will soon make an appearance at the Palm Springs Fine Art Fair, February 11th with Timothy Yarger Fine Art.  She also has 2 Solo Shows in 2016, one at the Deland Museum of Art in Florida, on April 15th and the other in New York City at C24 Gallery, May 6th.  Feuerman will return to Europe, exhibiting in “Die Welt als Bühne | The World is a Stage”, at Haus Beda in Bitburg, Germany on April, 24th.  She will also solidify her position as a permanent fixture at the next Venice Biennale with a solo show in the park on the Grand Canal, called “Dancing on the Water”, courtesy of the Global Arts Foundation and La Biennale Di Venezia, sponsored by Aria Gallery, C24, and Peace River Botanical and Sculpture Garden.  Click here.

For anyone visiting NOLA, stop by and say hi to Feuerman’s Kendall Island and Yaima and the Ball brought to you by Sculpture for New Orleans. Perched on pedestals above Poydras Corridor, these two beauties will reside in the Big Easy through the Summer of 2017.

Antonio Budetta of Aria Gallery, in Italy curated,  “Sport del Bellessere, Personale di Carole Feuerman”, at The Civic Museum of Palazzo Elti of Gemona del Friuli, Italy up through February 21st, 2016.

Feuerman and her swimmers not only made a statement in the US and Italy in 2015, but also in Asia, with museum exhibitions in Hong Kong, Daejeon and Suwon City in South Korea. While she was in Asia, Feuerman was inducted into the International Sculpture Park Foundation. You can read about Carole’s involvement with the Sculpture Park Union here.

Miami Art Week opens with a bang, Art Basel to follow

December 1, 2015

By Andres Viglucci, Jordan Levin, Siobhan Morrissey, and Jane Woolridge

Carlos Lamas, looks up at Carole Feuerman's City Slicker at Art Miami as it opened its doors in Midtown.

Size may not be what matters most in contemporary art, but when it comes to the 2015 edition of Miami’s Art Week, the sprawling pageant that for six days every December engulfs the Beach, Midtown and Wynwood in a mind-boggling tumult of art gazing and acquisition, not to mention partying and rubber-necking, it matters quite a bit.

Big art, big ideas, big crowds and big price tags were everywhere in abundant evidence on Tuesday, the traditional starting bell for the scads of satellite fairs and ancillary events that orbit around the official Big Show, Art Basel Miami Beach, which won’t open until Wednesday morning to an invitation-only crowd.

But big did not need to wait for Wednesday. Tuesday’s openings by themselves offered an exhaustive, and exhausting, panoply of what’s hot and cool in the contemporary art market, a range of art that ran from the sublime to the, perhaps, ridiculous.

In the sculpture garden in front of the Art Miami tent, the first mate of the week’s art fairs, the VIP swarm — 11,000 were invited, and most seemed to show up — was greeted by a 16-foot bronze spiral by American Gino Miles. Inside, they found a piece by Briton Damien Hirst, dead butterflies in a ring six feet around, for $950,000, and more blue-chip works than ever, including a massive, nine-foot-plus kinetic sculpture by Alexander Calder, for $12.8 million.

Nearby, on the edge of Midtown Miami, stood an illuminated 50-foot-tall dandelion sculpture by Robert James Buchholz installed just for the week. A couple of blocks north, Snarkitecture’s four curling, 30-foot-long “candy cane” sculptures in fiberglass and foam — 75 times longer than an actual candy cane, the artists proudly note — occupy a chunk of the reborn Design District’s Palm Plaza for the holidays.

Just to the west, at a Wynwood Walls expanded with a new garden and new graffiti-style murals, some 200 guests, including street artists from Latin America and Spain, gathered for what Jessica Goldman, daughter of the project's founder, the late Tony Goldman, called “a big family dinner.” Four new murals, including one of enormous floating Greek Gods, by Spanish artists Piki & Avo, and another of giant hands, by German artist Case, hovered around them.

Down the block, art dealer Gary Nader hosted dignitaries to his Wynwood gallery to celebrate his soon-to-be Latin American art museum.

“This means that Miami will be taken to a whole new level that we’ve never experienced,’’ said Miami Mayor Tomás Regalado.

Not far from there, at Miami Dade College’s downtown campus, performers swam in a 4,500-gallon tank installed in a plaza, undertaking mundane daily activities underwater — a foreshadowing of life in the coming Holocene era, after climate change and sea-level rise have conquered the world, courtesy of director and media artist Lars Jan.

There were some big stars in attendance —Sylvester Stallone swung through the VIP opening at Design Miami, little sister to the Basel fair, while Basel frequenter Leo DiCaprio got a private preview at Art Miami, his first time there. Also in attendance: Developer Jorge Perez. He stopped in at the Pinta Miami fair, in Wynwood, which features Latin American art — including an installation by Carlos Martiel that consists of one live naked man, lying motionless at the base of a flagpole, his neck bolted to the ground with a metal collar. The Mexican flag initially flying atop the pole was later changed to a Costa Rican flag, and will be changed continuously throughout the exhibit.

An elderly woman gave the naked man a thumbs-up, but he just blinked.

The naked man wasn’t for sale, but plenty of other art was. Despite economic softening in Latin America, a principal source of art collectors for Miami’s fairs, and turmoil over migrants in Europe, Art Miami was mobbed —fair director Nick Korniloff said the number of requests for VIP credentials this year exceeded 2014’s, and he expects to surmount last year’s total visitor count of 82,500.

Some art was already selling big. At Pinta Miami, Bogota gallerist Luis Angel Parra said he sold two sculptures by Colombian Hugo Zapata for $50,000 each. And to judge from asking prices, gallerists came to Miami with big expectations. At Art Miami, an Andy Warhol flowers painting was going for $6.5 million, and a rare 1980s collaboration between Warhol and Jean-Michel Basquiat for $3.4 million. An unusual 1960s painting by Alma Thomas that graced the cover of her 1972 solo show catalogue at the Whitney Museum, the first African American female artist to be featured there, was going for $950,000.

By Sunday, many fairgoers may be ready for the perfect gift, courtesy of Paris-based Galerie Kreo, at Design Miami -- the chance for a soothing bath in a boat. Studio Wieki Somers created the “Bathboat” tub, with a white ribbed interior and honey-colored outer shell that resembles one of those highly prized handmade boats. Only 30 were made, plus one prototype, from oak and red cedar.

Their scale may not be monumental, but the price of a soak will be. They sell for $50,000 each.

Miami Herald Staff Writer Nicholas Nehamas and Herald Writer Jeffrey Pierre contributed to this report.

Carole Feuerman Exhibiting at CI Contemporary Istanbul with Aria Art Gallery and C24 Gallery November 12 – 15, 2015

        10 Trending Artists at Contemporary Istanbul - Artsy

https://www.artsy.net/.../editorial-10-trending-artists-at-contemporary-ista...

Nov 10, 2014 - Before Contemporary Istanbul opens to the public this Thursday, … 

it is not at all surprising to see Carole A. Feuerman's hyperrealist sculpture

Aria Art Gallery, based in Florence, Italy,  and C24 Gallery, based in New York City, will be participating in the 10th edition of Contemporary Istanbul, Booth A2-406, at the Istanbul Convention and Exhibition Center, https://www.artsy.net/show/aria-art-gallery-aria-art-gallery-at-contemporary-istanbul-2015

                                 Detail: Butterfly Capri, 2013, Oil on Resin, 30 x 20 x 11 inches. 

This is the third year that Aria Art Gallery will be showing Feuerman's work at the fair. Many of you remember Feuerman’s last showing by Aria Art Gallery https://vimeo.com/80273115

Carole's Butterfly Capri, and Balance, table top size, are three pieces they are featuring this year. which has appeared in Timeout Istanbul and has made the cover of Tempo magazine, will be present at the fair! Carole's work will be shown alongside artists Fabrizio Corneli and Michelangelo Bastiani.  The relaxed and contemplative nature of each figure reflects the artist's desire to create harmony, health, and grace, believing that these are all attributes we strive to find in our daily lives. To learn more about Aria Art Gallery please visit http://www.ariaartgallery.com/mostre.php?eid=12, and be sure to stop by their booth at Contemporary Istanbul November 12-15th!

 C24 Gallery, Booth LK402,  http://www.c24gallery.com/artists/carole-feuerman/ will also have a solo exhibition for Feuerman in this year’s Miami Art Fair December 3rd and will also be showing her newest bronze works in May 2016 at their new 5,000 square foot, bi-level gallery in Chelsea. http://contemporaryistanbul.com, http://www.c24gallery.com. Artworks at Contemporary Istanbul include Christina, and Sunburn.

Carole putting the final touches on Christina. Christina, 2013 - 2015, Oil on Bronze, 72 x 19 x 14 inches. 

Sunburn, 1981 - 2015, Oil on Resin, 36 x 16 x 13 inches. 

The art fair, now in its tenth year, is the country’s oldest art fair. Known for its geographic location, Istanbul connects Asia and Europe, thereby becoming a major hub that links east and west. Through its advantageous locale and amalgamation of cultures and beliefs Istanbul has become a creative capital for contemporary artists. The fair strives to increase the dialogue between regional and international artists by collaborating with local foundations, museums, and historical sites bringing their missions to an international scene. A visit to Contemporary Istanbul is a must, and be sure to stop by the booths of Aria and C24! 

Please enjoy Feuerman at Contemporary Istanbul - 2014,by Uploaded to YouTube by EkavartTV  https://www.youtube.com/watch?v=I8_NkUrTxm4.

A little about last year: Contemporary Istanbul finishes with 67,000 visitors - ARTS

www.hurriyetdailynews.com › ... › ARTS, Hürriyet Daily News

Nov 12, 2013 - Contemporary Istanbul has ended with 748 artists, 3000 works and 22 countries. ... Monday, November 9 2015, Your time is 16:00:00 ... euros and Carole A. Feuerman's “Brooke with Beach Ball” sold for $275,000.

We will keep you posted on Feuerman 2015. So far, 5 sculptures have been sold for record breaking prices!

A Toast to Goddesses and Swimmers at Miami Art Week

Come winter people from around the world find themselves escaping the chilly weather in favor of a warm tropical beach. For art lovers there is no better place to be than Miami the first week of December. From starlets and professional athletes to renowned artists, and high-class businessmen there is no telling whom you might bump into over a glass of champagne. The city transforms into an art mecca, becoming a pilgrimage for every contemporary art collector. With over 20 art fairs and 120 events, visitors are presented with the best contemporary art in the world in a Gatsby-esque environment.

Sculptor Carole A. Feuerman will be heading down south and presenting her work at several events during the week. At Art Miami www.artmiamifair.com, C24 Gallery www.c24gallery.com will be exhibiting a collection of stainless steel and bronze sculptures, many of them making their first appearance. The collection highlights Carole’s work in bronze and stainless steel as opposed to the traditional resin that many people have come to know her for. Her famous hyper realist sculptures including Next Summer, Miniature Tree, and New York City Slicker will be featured at the fair. Stainless steel Miniature Tree is a quintessential example of Carole’s ability to transform and reinvent steel and bronze. Miniature Tree has a fluidity to her that makes her appear to be liquid. Moreover, her polished exterior reflects the viewer, thereby forming a new perspective for each observer. This interactive media provides a new way of viewing Feuerman’s art. The shiny and enticing booth is not to be missed. If there’s one thing I’ve noticed at art fairs, it’s that if a selfie is feasible in a work, it can’t be missed.

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Miniature Tree, 2015, Stainless Steel, 43 x 12 x 9 inches.

Carole’s Painting with Fire series, a body of work she has been developing for over two decades. The process involves melting 6 different types of metals at 2,000 degrees. Once heated she takes the molten hot metal and drips, pours, splatters, and splashes the liquid into a hand made cast; she is literally painting with fire. Venus in Lace, and Dimetre are results of this technique. Each work contains rich textures, organic shapes, and has a remarkable iridescent color. They can be seen first hand at Art Miami! Don’t worry they’re not hot anymore! To learn more about Carole’s technique please visit: https://player.vimeo.com/video/25732964?wmode=opaque&api=1. While the style and subject matter is very different between Carole’s dripped series and hyper realistic swimmers they are united in their concept, and work in tandem to represent Carole’s life work. What do readers think of Carole’s different styles?

Venus in Lace, 2003, Bronze, 31 x 14 x 10 inches.

Dimetre, 1999, Bronze, 26 x 18 x 8 inches.

Whilst in Miami, head over to the National Hotel, which is a stones skip away right from the convention center http://nationalhotel.com. The hotel is celebrating their 75th Anniversary by filling the hotel with Carole’s hyper realistic sculptures. Carole’s famous Golden Mean, a towering 16-foot male swimmer poised to dive, will be presented right out front of the hotel. Make sure to peruse the lobby, courtyard, and pool area; you can even wear your swimsuit!

The Golden Mean, 2012, Bronze, 150 x 54 x 38 inches.

The Message, 2013, Lacquer on Bronze, 46 x 27 x 32 inches.

After Miami Art Week visitors can find many of Carole’s sculptures at Bernard Markowicz Fine Art. The chic gallery has a brand new space located in the heart of the Miami Design District (110 NE 40th Street Miami, FL 33137) http://www.markowiczfineart.com/index.cfm.

Art enthusiasts will not want to miss the opportunity to hobnob with celebrities at an endless stream of parties and events, surrounded by unparalleled contemporary art during Miami Art Week, December 1 -7th, 2015. Catch Carole’s sculptures at Art Miami, The National Hotel, and Bernard Markowicz Fine Art.

Frankfurt Welcomes Feuerman With Solo Exhibition At Galerie Hübner & Hübner

Germany welcomes Carole Feuerman this fall with a solo exhibition at Galerie Hübner & Hübner. Carole’s exhibition will open October 9, 2015 and run through November 11, 2015. Galerie Hübner & Hübner exhibits international and national artists, and resides in the Frankfurt, Rhein Main region. Grueneburgweg 71 D -60323 Frankfurt / Main http://www.galerie-huebner.de/en/exhibitions/current.

Carole Feuerman has been a pioneer in the hyper-realist art movement since its inception in the 1960s and has been perfecting the movement ever since. Feuerman’s solo exhibition provides viewers the opportunity to see Carole’s progression into one of the most influential figures in the hyperrealist movement. The exhibition chronicles Carole’s career, presenting sculptures from her first ever solo exhibition to the present day. For example, Red Tie (1965) a sculpture from Carole’s solo exhibition in Fort Worth, Texas called Rated X, juxtaposes the sweet General’s Twin (2009), featuring a young girl swimmer blossoming into adolescence. 

General's Twin, 2009. Oil on Resin. 24 x 15 x 8 inches.

Beach With Googles, 2011. Oil on Resin. 18 x 12 x 7 inches.

Beach With Goggles (2011) is another youthful swimmer featured in the show. This rosy cheeked girl in a poka-dot suit looks to be relaxing after a long swim. Swimmers have been a main theme throughout Feuerman’s career, therefore, they are prominently represented within the exhibition. Due to the craftsmanship and hyper-realist quality of every sculpture one innately strives to apply a narrative or personality to each piece. For example, one can easily imagine Kendall Island (2014) in her lustrous black cap and sleek crisscross suit resting right after diving practice. 

                 Kendall Island, 2014. Oil on Resin. 70 x 21 x 38 inches.

Even tabletop pieces are quite easy to envision as living figures. A peaceful Miniature Serena (2013) floats along with her inner-tube, as she rests on a tabletop. Meanwhile, Miniature Quan (2013)  precariously balances on a sphere creating a dichotomy between the relaxed swimmer and the pressure being applied to the sphere. Furthermore, it is a representation of the Buddhist goddess Quan and her burden of protecting the world. Their is a feeling of power, presence, and strength reflected in the emotion and youthful quality in each piece, a sense that frequently flickers and fades with age. Malibu (2012) a young swimmer featured in the exhibit can easily be seen effortlessly ‘breaking through’ the water. Where do readers imagine Carole’s sculptures?

Miniature Serena, 2013. Oil on Resin. 10 x 17 x 8 inches.

Miniature Quan, 2013. Oil on Resin. 26 x 16 x 7 inches. 

Malibu, 2012. Oil on Resin. 26 x 16 x 7 inches. 

To learn more about Carole Feuerman and watch videos of her working, please visit http://www.carolefeuerman.com and http://www.carolefeuerman.com/videos-carole-and-her-work/.

Carole A. Feuerman 2015 Global Exhibitions

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Kendall Island, 2014. Oil on Resin. 770 x 21 x 38 inches.

Carole A. Feuerman is recognized as one of the world’s most renowned, influential, and popular hyperrealist sculptors.  Her prolific career spans four decades in which she has pioneered new approaches to sculpture. 

In May, the Double Diver, Feuerman's monumental sculpture towering 36 feet in the air, was installed at NetApp’s headquarters and gifted to the city of Sunnyvale, California. 

Using the innovative technique of dripping molten bronze and utilizing the ability to make 4,800 pounds of bronze balance on six-inch bronze wrists, she pushed the boundaries of both art and physics; creating a sculpture that is truly the first of its kind. 

Feuerman is currently exhibiting in Personal Structures, Time Space Existence, Global Art Affairs Foundation, which is part of this year's 2015 Venice Biennale in Italy.

Her solo exhibition, Art in Harbour City, Hong Kong just closed and the sculptures are now going to be touring Asia. They will be shown next at the Daejeon Museum of Art in Daejeon, South Korea in a hyperrealism exhibition opening on Sept 4th. After that they will be exhibited at a museum in the capital city of Seoul.

 

Asia, 1999. Bronze. 83 x 31 x 15 inches.

Her work is currently on exhibit in a solo show at KM Fine Art in Chicago. 

On August 22nd she is having an outdoor sculpture show at Gerson Zevi Gallery in Water Mill, NY in the Hamptons featuring 13 outdoor bronzes. 

Christina, 2014. Oil on Bronze. 72 x 19 x 14 inches.

October 9th is the opening of another solo show at Hubner & Hubner Gallery in Frankfurt, Germany.

Aria Gallery from Florence, will open their new space in London in mid October with a 2 person show featuring Feuerman.

In the spring of 2016 she will have a New York Solo show and a solo show at the in the DeLand Museum in Florida. 

Next Summer, 2012. Oil on Bronze. 39 x 54 x 50 inches.

She continues to focus on making figurative sculptures for public and private collections. Feuerman maintains two studios in NY and NJ. On an ongoing basis, Feuerman's work can be seen in selected galleries and museums worldwide.

 

Carole A. Feuerman's Hong Kong Solo Show Opens Today!

Feuerman's Hong Kong Swimmers Show Opens in Two Days!

Artist Rendering

Just two days remain before the premier of Carole A. Feuerman’s first solo show in Hong Kong at Harbour City. There is a wonderful feeling of anticipation in the air as people ready themselves to experience Feuerman’s hyper-realism.

The show, organized by Art in the City at Harbour City, opens on June 18th and runs through July 5th.  The sculptures will be on view daily from 10am till 10pm.

The Golden Mean, 2012. Bronze and Gold Leaf. 150 x 54 x 38 inches.

This exhibition is an invitation for viewers to connect with the sculptures and allow the line between reality and art to be blurred.

Feuerman’s pieces freeze time and capture the finer points of reality and accentuate details that people are often too busy to admire or acknowledge.

The custom built pool and its swimmers defy everyday distractions and invite people to pause and seek reality in art, and through art be returned into an even more monumental reality.

Artist Rendering.

Victoria Harbour is breathtaking and Harbour City’s commitment to public art exhibitions and celebrating culture is admirable. It’s an incredible location and the perfect arena for the public to interact with Feuerman’s sculptures.

Please Join us for this Hyper-real Harbour Event!